Join others and track this album
Scrobble, find and rediscover music with a Last.fm account
Tracklist
| Track number | Play | Loved | Track name | Artist name | Buy | Options | Duration | Listeners |
|---|---|---|---|---|---|---|---|---|
| 1 | The Best Is Yet To Come (Remastered) |
|
|
3:19 | ||||
| 2 | Play track | Lazy Afternoon |
|
|
2:42 | |||
| 3 | People |
|
|
3:03 | ||||
| 4 | Play track | The Last Dance |
|
|
3:15 | |||
| 5 | Hello, Dolly! |
|
|
3:12 | ||||
| 6 | Play track | On The Street Where You Live |
|
|
2:07 | |||
| 7 | Who Can I Turn To (When Nobody Needs Me) |
|
|
3:14 | ||||
| 8 | Play track | Everybody Loves Somebody |
|
|
3:40 | |||
| 9 | I Wish You Love |
|
|
3:03 | ||||
| 10 | Be My Love |
|
|
3:28 | ||||
| 11 | Softly, As I Leave You |
|
|
2:28 |
Similar Albums
Scrobble Stats
Recent Listening Trend
| Day | Listeners |
|---|---|
| 43 | |
| 45 | |
| 41 | |
| 54 | |
| 55 | |
| 46 | |
| 38 | |
| 37 | |
| 31 | |
| 26 | |
| 36 | |
| 51 | |
| 43 | |
| 37 | |
| 35 | |
| 31 | |
| 28 | |
| 47 | |
| 40 | |
| 34 | |
| 33 | |
| 27 | |
| 37 | |
| 41 | |
| 32 | |
| 34 | |
| 47 | |
| 43 | |
| 37 | |
| 24 | |
| 21 | |
| 24 | |
| 45 | |
| 34 | |
| 47 | |
| 45 | |
| 41 | |
| 43 | |
| 43 | |
| 50 | |
| 59 | |
| 43 | |
| 46 | |
| 43 | |
| 55 | |
| 43 | |
| 48 | |
| 48 | |
| 48 | |
| 52 | |
| 56 | |
| 38 | |
| 45 | |
| 52 | |
| 55 | |
| 40 | |
| 43 | |
| 47 | |
| 22 | |
| 34 | |
| 46 | |
| 43 | |
| 32 | |
| 50 | |
| 31 | |
| 32 | |
| 43 | |
| 53 | |
| 36 | |
| 54 | |
| 47 | |
| 32 | |
| 34 | |
| 45 | |
| 51 | |
| 63 | |
| 60 | |
| 70 | |
| 50 | |
| 58 | |
| 38 | |
| 66 | |
| 69 | |
| 61 | |
| 73 | |
| 51 | |
| 34 | |
| 4 | |
| 9 | |
| 9 | |
| 13 | |
| 10 | |
| 6 | |
| 3 | |
| 7 | |
| 13 | |
| 9 | |
| 13 | |
| 7 | |
| 7 | |
| 4 | |
| 10 | |
| 8 | |
| 8 | |
| 10 | |
| 19 | |
| 7 | |
| 8 | |
| 14 | |
| 14 | |
| 12 | |
| 12 | |
| 11 | |
| 14 | |
| 9 | |
| 11 | |
| 20 | |
| 17 | |
| 12 | |
| 7 | |
| 10 | |
| 12 | |
| 14 | |
| 13 | |
| 12 | |
| 16 | |
| 14 | |
| 7 | |
| 12 | |
| 9 | |
| 19 | |
| 15 | |
| 14 | |
| 19 | |
| 18 | |
| 10 | |
| 12 | |
| 20 | |
| 11 | |
| 17 | |
| 12 | |
| 12 | |
| 17 | |
| 18 | |
| 21 | |
| 19 | |
| 15 | |
| 26 | |
| 11 | |
| 21 | |
| 23 | |
| 24 | |
| 16 | |
| 18 | |
| 4 | |
| 10 | |
| 10 | |
| 16 | |
| 11 | |
| 16 | |
| 10 | |
| 8 | |
| 12 | |
| 13 | |
| 13 | |
| 9 | |
| 16 | |
| 12 | |
| 9 | |
| 12 | |
| 12 | |
| 16 | |
| 17 | |
| 18 | |
| 19 | |
| 24 | |
| 17 | |
| 20 | |
| 17 | |
| 20 | |
| 14 | |
| 17 |
External Links
About This Artist
Jackie Gleason
117,154 listeners
Throughout the 1950s and early-1960s, Jackie Gleason enjoyed a secondary music career, lending his name to a series of best-selling mood music albums with jazz overtones for Capitol. Gleason felt there was a ready market for romantic instrumentals. He recalled seeing Clark Gable play love scenes in movies, and the romance was, in his words, "magnified a thousand percent" by background music. Gleason reasoned, "If Gable needs music, a guy in Brooklyn must be desperate!" Gleason could not read or write music in a conventional sense; he was said to have conceived me… read more
Throughout the 1950s and early-1960s, Jackie Gleason enjoyed a secondary music career, lending his name to a series of best-selling mood music albums with jazz overtones for Capitol. Gleaso… read more
Throughout the 1950s and early-1960s, Jackie Gleason enjoyed a secondary music career, lending his name to a series of best-selling mood music albums with jazz overtones for Capitol. Gleason felt there was a ready market for romantic i… read more
